Tuesday, 8 September 2009

It's all about the style, dahling.

Due to that gap between full-time employment and being a full-time student, I have been spending a lot of time on the internets. I know, you never would have guessed! And one activity that has been taking up a lot of my time is Twitter.

When I first got the Internet (ah, my lovely AOL dial up account!) almost ten years ago, I did spend a fair amount on-line chatting or IMing people. As anyone who has used AOL as an ISP will tell you, it is geared towards this idea of 'social networking', in fact a good bit before I think a formal social networking site came along. MySpace doesn't count. But I did enjoy chit-chatting with other people, replacing my earlier fascination in life with pen-pals whom I wrote actual letters to. Very bizarre. I wonder if anyone under the age of 25 has pen-pals.

Yesterday I was adding people on Twitter that I found interesting. Predominantly fellow writers. I work on the principle that the more I am surrounded by a certain person or object, the more its 'usefulness' will rub off on me. That is how a fellow writer asked me a certain question: "what do you write? literature or the lighter stuff like crime, women's fiction, etc?"

I have to admit this question stumped me. I find the idea of 'literature' to be a rather loaded term. My friend Dictionary.com defines it as the following:

1. writings in which expression and form, in connection with ideas of permanent and universal interest, are characteristic or essential features, as poetry, novels, history, biography, and essays.
2. the entire body of writings of a specific language, period, people, etc.: the literature of England.
3. the writings dealing with a particular subject: the literature of ornithology.
4. the profession of a writer or author.
5. literary work or production.
6. any kind of printed material, as circulars, leaflets, or handbills: literature describing company products.
7. Archaic. polite learning; literary culture; appreciation of letters and books.


Now I find all of these definitions interesting. Perhaps the strongest case I can find for the definition of 'literature' is no. 7. To me this perhaps sums up the best case for literature. Or simply put the appreciation of books and letters. Should a reader feel guilty because they would choose Dan Brown over the latest AS Byatt? Should Bridget Jones's Diary be shunned from the halls of literature despite the response and the love its readers had for the protagonist? No, because they love the letters and words that make up their chosen writer's world.

I would like to point out I am not belittling the person who asked that question about. I am somewhat influenced by a current fireworks display going on in the world of Scottish literature sparked by this incident. In turn, this has lead to a number of Scottish crime writers coming out in defence of their genre. I'll admit this straight up, I am too thick to write a crime story. Or the gentler term is that I lack the lateral thinking to write a decent whodunit. The crime genre is something I dip in and out of as a reader but as a writer I shy away from it. Partly because everyone would guess immediately who had done it within two pages.

Going back to the posed question, I answered that my writing is 'dark'. And it is. For my Creative Writing class, my final submission for the class was a short story encompassing some of my more violent rants on the subject of mankind. My writing group has set a rather pleasant writing piece entitled What The Bee Saw. My first draft of that piece is turning into a World War II Spitfire style shoot out. Though I did try to start it off nice and cutesy *sighs*

My task for this week has been trying to get my handwritten notes and ideas onto the computer because I find it easier to continue with the plot, character, whatever spews forth from my pen. And, to be quite frank, I was really shocked at some of the things I had written. Now I know why my high school English teachers would gingerly hand me back creative writing pieces with the advice to make my stories less gruesome.

I can brood on things, God knows I can. I can naval gaze with the best of them. But even sometimes I step back from myself and think "Oh dear, I am very surprised you're not out there drowning hamsters." For someone who had a fairly normal and, let's face it, boring upbringing there is a lot of venom in the pen.

Is there a genre out there called 'dark'? Or will I have to edit my writing to suit the horror/fantasy/insert other genre here market? Maybe I'll be relegated to that safe category within bookshops that is called Literature.

Monday, 7 September 2009

Second Test Post

Because clearly I am an idiot and can't seem to obtain the settings I want on my Twitter *throws tantrum like a spoilt child*

Test post

This is a test post to see if my Twitter feed is working correctly.

So here's a photo of my kakariki, Dante to keep you amused.


Warning: This May Surprise You

One character quality a lot of people assume I have. Can you guess what it is? It is not terribly exciting or interesting or fascinating. A lot of people assume I am an extremely organised individual.

True, in some areas I am. Anyone who has ever travelled with me knows how scary I am about being on time. Surely it's correct to be at the train station/bus stop/airport at least an hour before departure, right? If I don't have the relevant tickets or documents on my person, I get very panicky and insist the other person shows me them at all times. Until they get sick of my constant asking and eventually hand the bloody things over to me.

But that, my friends, is where it stops. I am a truly awful and forgetful person when it comes to things. There have been times friends have rang me and asked "Where are you?" and I have forgotten we were meant to meet. I have tried putting this information on my mobile, my iPod, even a traditional paper diary. But nothing seems to work.

Another crime I am guilty of is procrastination. The Internet is partly to blame for this. After all, where would my urge to suddenly look up Unity Mitford or find out what capers look like go? Possibly channelled into something more productive, like posting that important letter or writing that essay. As a result I can spend an hour going from Wikipedia article to Wikipedia article and truly wonder where the time went. The refresh button is my friend on the evils of Facebook, Gmail and other such wonders.

Also, and this is down to being lazy, I am a really untidy person. This is partly due to wanting to hang onto most of my crap such as theatre tickets, leaflets for theme parks and other useless information. Plus my slightly scary obsession of having lots of books about the place. Despite wanting to be an archivist (which, let's face it, part of the job involves being quite a tidy person) I am not very good at tidying things away at home (and sometimes at work...). Sometimes I blame the smallness of the flat I live in. True, it's small but Him Indoors manages to restrain his scatter tendencies and keep them in his own room.

I should also face up to this fact that this blog post is providing some escapism away from tidying up the living room and kitchen. Gawd bless you internet!

Friday, 4 September 2009

Why I Hate This Advert

I originally came on here to rant about the latest advert trotting the rounds for Oxford Notepads. On YouTube I was trying to find a clip of the advert to prove my point. Now, I found a rather interesting and longer cut of the advert aimed at (I assume) the French market.



Now the British section of the advert skips the sections showing the young woman escaping a war torn town and sailing (for some unexplained reason). It merely jumps from her sitting on the bench to the nightclub scene and cuts off roughly 0.25 into the video and jumps straight to the end. The feeling left from that edit of the advert is "Woman: know your place! Go to university, not to further and improve your brain, but to find a mate to procreate with. After all, your destiny is to have children." This message enraged me, along with the fact that notebook is ferking expensive.

Now, the full advert I have linked above is interesting. Instead of ending 0.25 it shows the protagonist rejecting this option to have a 'wild torrid affair' with the rather attractive brunette. Her story doesn't end there. Later, you see her on board a subway train, quite independent and escaping something that looks like the shit demon from Dogma. The message from this edit of the advert conveys "Women: feel free to make your own choices and use your imagination (but only if you buy Oxford Notepads)".

It is repugnant that the full advert is not shown over here. Would young Scottish and British women react differently to this French edition? Do they not have enough imagination to cope with such ideas?

Women: make your choice.

Tuesday, 1 September 2009

Edinburgh Adventures

I was writing an update about my weekend in Edinburgh and thought it might be of some interest to people here.

On Saturday evening we had Alexander McCall Smith at the Book Festival. For years his events have always sold out extra quickly and I only achieved gaining tickets this year by sitting in work and hitting refresh constantly on the screen. Anyhoo, I got them and it was a rather interesting talk. He seems such an ordinary man and then casually drops into the conversation "I was visiting a baboon colony in Botswana" and so on. I wonder if his books are getting intentionally nastier. His new series, Corduroy Mansions sounds rather spiteful and a million worlds away from the No. 1 Ladies Detective Agency. He did spend some time on 44 Scotland Street which is such a lovely series. Bertie, the poor put upon 6 year old, is obviously a favourite. However, in the Q&A session, I was slightly displeased at someone's attempts to have their girlfriend feature in a future 44 Scotland Street episode as the "mad cat lady who lives across from the Cumberland Bar".

A quick note about the hostel we were staying in. I had never stayed in a hostel before and wasn't sure what to expect. Caledonian Backpackers came slightly recommended by a fellow Bookcrosser, partly for it's proximity to the Book Festival venue and (as I later found out) to the Royal Mile. Unfortunately the sound proofing was awful. We were staying in a large dorm (of 20 beds) and the guests were rather courteous. But staying somewhere near Princess Street with no double glazing was a disaster. I think I only got 4 hours sleep the first night. Luckily, I got moved after the first night into a Female only dorm towards the back of the hostel which was a bit quieter.

On a sidenote, I'd consider staying in a hostel again. And both my companion and I agreed that if we were travelling alone a hostel is a good place to check in and interact with other people.

Anyway, on Sunday morning, we went to see Anthony Sher who, as well as being a fantastic actor from what I've been told, has written a great many books. He's a fascinating man, what with being South African, gay and a secular Jew. Although the interviewer did bring his cocaine addiction out from the left field. Companion went all fanboy over Mr Sher, bless him, and got his books signed by him after the talk. If I didn't already have lots of books in the flat I would consider picking one up.

After the talk it was a wander up to the Royal Mile and the Fringe Box Office for me to purchase tickets. After looking through the program I had decided to spend my vouchers on seeing Adam Hills, Princess Cabaret and Hitler Alone. In the queue we were accosted by Iszi Lawrence who was doing a free comedy show in an hour at a nearby venue.

All in all I was rather chuffed with my Fringe highlights. Adam Hills is hilarious and had a BSL interpretor who really interacted with the show. I know now the BSL sign for clitoris and a sign unique to Australian sign language (for "Fuck you! Fuck the lot of youse!" Am very surprised this is not in Scottish sign language). His show was a wonderful mix of comedy and tragedy. His message about inflating people was truly poignant and the launch of balloons after his act brought a small tear to my eye.

Princess Cabaret was rather interesting. It was a mix of songs and sketches centring on the Disney princesses. I never thought of Jasmine from Aladdin being a Middle East Peace negotiator or Sleeping Beauty waking up to the horror of STDs and 'darkies' wandering the streets. Favourite moment: the song about an enraged Tinkerbell finding Peter Pan in bed with Wendy and trashing his cave. Really enjoyed it.

What a contrast with my final 'paid' show which was Hitler Alone. It was in a small, claustrophobic venue, probably sat around 20 people. It was held at a language institute and was the only performance I was offered a cup of tea or coffee for. Paul Webster, playing the 'villain' himself was very, very good and had done his research. On the flyer for the show, he explained he was born in 1939 and had childhood memories of playing in bombed out buildings. And of a Jewish refugee teacher savagely beating a fellow schoolpupil for drawing a swastika on a jotter. The danger of these performances is that they can make you feel 'sorry' for this broken and defeated man (the play was set in the final hour in the Bunker in which it was reported Hitler disappeared to a room, ranting and raving). The sorrow of which he spoke about his mother and loss of friends was heart breaking. However, all empathy was wiped away when Webster completed his performance by falling to the floor, ranting, raving and spitting about the evil of Jews .

Finally, Iszi Lawrence was a bit of a mixed bag. Not bad for a free performance (her story about causing her flatmate's cat to vomit upon the sight of her naked body was predictable but still hilarious) but it did flag a bit towards the end. She may need to spruce up her routine to last an hour, normally the time for a headliner at the Stand. Plus my enjoyment wasn't helped by having had two pints and desperately needing a wee.

Oh and my last event at the Book Festival. Melvin Burgess was my idol when I was a teenager. He was giving a discussion panel with Anne Fine and Rachel Ward on the topic of 'Compelling Novels, Vulnerable Children'. Considering his books deal with drug addiction, underage sex and extreme violence, I'm not surprised. The discussion was interesting but it was full of bloody social workers simpering about how they interacted with children.

Anyhoo, there was a signing after the discussion group and I raced to buy his new novel to get it signed. The following conversation ensured (warning: major fan girl moments):

Melvin: Hi there, what's your name?
Laura (me): Laura.
Melvin: (begins writing on the front page of the book)
Laura: You know, the only book my mum has ever tried to prevent me reading was The Baby and Fly Pie.
M: (amused) I've never heard that said before! A lot of people do complain about the ending because it's so negative.
Laura: It was the bit when he realises his sister's a prostitute. So I had a massive tantrum until she gave me it back.
M: Well it wasn't promoting it as a career choice! You had a tantrum, eh?
Laura: Yes, I was 12 years old and a rather spoilt only child. I think she was more concerned about me because I wanted to be a writer.
M: Have you got anywhere with that?
L: Hmmm it's been on hold but I'm getting back on track again.
M: Keep writing.
L: (cue gush of crap) I don't expect you to remember this but I sent you one of my short stories years ago and you sent me back a letter saying 'Keep Writing'. And I've always keep that in my head.
M: (looks up, a bit puzzled).
L: Thank you again. I really appreciated it. (grabs book and runs away).

And you know what he had written in my inscription? "Hope your mum doesn't stop you reading this!"

Sunday, 30 August 2009

Wot I Thunk About Writing

This blog has been rather quiet. I have an extremely bad habit of picking up new things with enthusiasm and then dropping them when other things happen. Mind you, real life has been hitting me with the shitty stick of late with Him Indoors not being very well, two deaths in the family within a week and all round stresses of everyday life.

Excuses, aren't they fab?

So my five week writing class trundled to an end. In the final week I had written a short story that I was rather chuffed with and received extremely positive feedback for. That has been sent off to a writing journal for the editors to consider publishing. Fingers crossed, tis has been a while before I've felt confident enough to send anything away to be published, hell written anything good enough to be sent away.

And, dammit, writing has been rather good fun. Last weekend I spent some time alone, staying in Edinburgh and taking in parts of the Festival. This seems to worry some people, my father especially for some reason, but I rather enjoy spending time on my own. I like being able to have four pieces of toast with chocolate spread for breakfast, I like deciding where to go for dinner, I like being able to sit in a park bench in the sun and write for hours without having to answer anyone or field worried "Where are you?" texts. Asides from the crapness of the hostel I was staying in (which would have been better if they invested in some double glazing) this trip is something I'd consider doing again.

The concept of writing retreats is something I had always poo pooed. "Oh yes, Fanny and Artemis were telling me how they were meditating on the post-modern themes within poetry written on birthday cards. Must go, we have a class at 2.43pm helping us to discover what surrealism is." And these retreats are not cheap, oh no. A quick glance through ones listed in the back of various writing magazines show people are charged a pretty penny for the privilege of sleeping in a tiny room and to shit in a bowl.

Now now, madam, you're being harsh. Surely this isn't always the case? Anyway, a writing trip spent somewhere on my own is something to consider. As long as I don't develop a life damaging condition like George Orwell did.

Back to the point in question and stop rambling. A couple of Mondays ago I attended the launch of Cargo Publishing, a new publishing house based in Glasgow. I remember being asked a couple of years ago if I wanted to perform some of my work at one of their artist nights, when they started years ago. I said no, too afraid I hadn't written anything substantial in years. The teenager that had spent hours living with made up characters had retreated. (On an aside, please do read Cancer Party the first venture from Cargo. More info can be found here. Any book black listed by the Scottish Catholic Alliance sounds like a damn good read to me).

Back to the rant from someone the wrong side of 20 (soon to be 25 *panics*). There has been a little spark of confidence put back into my imagination. Him Indoors has been partly responsible for that. Look at other people's work. Learn from it. And say in a loud clear voice:

"I can do better than that."

Here's hoping the next quarter of my creative life is more productive than previous years.